Marta de Menezes has worked in the intersection of art and biology since the late 90s, in the UK, Australia, the Netherlands, and Portugal, exploring the conceptual and aesthetic opportunities of-fered by biological sciences for visual representation in the arts. De Menezes is director of Cultivamos Cultura, the leading institution devoted to experimental art in Portugal and Ectopia, dedicated to facilitate the collaborative work between artists and scientists. Marta de Menezes (born 1975) is a Portuguese artist, with a Degree in Fine Arts from the University of Lisbon and a MSt from the University of Oxford. Over time he has collaborated in several projects predominantly as a Photogrametry freelancer, he is now starting a master’s de-gree in contemporary art. ![]() His specialization is the modeling and rendering of 3d content, mainly interested in ceramic pieces and portraying people, moments or experiences in digital media. Nuno Sousa is a multimedia student, with a degree in pro-duction of interactive content and multimedia, entered the erasmus program where he studied cinema on the Krzysztof Kieslowki Faculty of Radio and Television. He is developing projects and experiencing the way his music interacts in various ways, namely in Per-formance, Digital Video Art, Net Art, Installation, Virtual Reality, among others. Nowadays, he’s taking a master’s degree in Contemporary Artistic Practice at the University of Aveiro. His musical evolution in the Belgian capital, increasingly approaching electronic music, free jazz and improvised music, led him to feel the need to associate visual interaction components to his musical practice. That way, he joins the Koninklijke Conservatorium Brussel (Royal Con-servatory of Brussels, Belgium) where he completes his bachelor’s degree in jazz (Cum Laude). Since his childhood, he plays the Flute, culmi-nating in his studies at the Conservatory of Music of Porto where he transitioned from classical music to Jazz and Improvised Music. Biography: André Araújo is a Musician/Visual Artist from Porto.From this, the voyage about our impact in the loss of our cities, of our biodiversity, on our heritage is a meditative, immersive, andreflective act, and a both personal and collective experience. Or, in simpler terms, how to paint with music and how to play music with paint. ![]() That synesthetic relationship is also indeed dialectic: how to construct a live sound thinking of a visual impact and how to construct a live visual to be “disturbed” by the sound. ![]() Being both the visuals and the sound designs constructed in an impro-vised live performance, the method on which the performance itself is built – intrinsically connecting both mediums – has got layers of complexity, not only from a technical perspective. Abstract: LIMBO (2021) is a Live Sound and Live Visuals performance that reflects on the rise of the sea levels environmental issue, its impact and effects in our cities and countries.LLLiiii i i i m m m b b bO Comment by Jonh-John SkoogĮl minuto 26 me dejo el recuero de quien me enseño este set Comment by Above The CloudsįF> Comment by dostal ![]() Somebdy on this beauty? Comment by Keith Raymond Young Souls (Denis Horvat Remix) di 8Kays, Aquarius Heaven & Denis Horvat Comment by Medina This is fire □□□ Comment by Roberta Zerbo When this out?□□□□ Comment by Paco Chaps 2 tracks by each artist, enjoy listening! A puzzle out of different perspectives assembled to one picture. The Idea was to create one listening piece done by various artists of the IV99.
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